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| EACA Postcard |
Saturday, October 18, 2014
Eldorado at Sante Fe Fall Arts and Crafts Show 2014
Saturday, July 19, 2014
Dream Weaver
My first woven rug . . . using Pendleton wool selvages! I'm hooked! Looking forward to my next one! So appreciative of the inspiration from my friend Lleta, a compatriot weaver and designer.
Saturday, May 17, 2014
Eldorado at Sante Fe Studio Artist's Tour 2014
Thursday, February 7, 2013
Adaptation of an 18th Century Trumeau
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| Trumeau, Still Life Fruits |
A trumeau is a mirror of sorts first
created in the 17th and 18th centuries in Europe and more
often first found built-in to the boiserie
of French residences and chateaux. As
time passed, many of these decorative interior pieces were removed and adapted
to interiors as muebles (actually a
Spanish word!) and eventually reproduced during the multifaceted era of the 19th
century in America.
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| Fishermen Taking Out Their Boat, Lithograph |
The ones I have created are my personal adaptation of a trumeau of the neoclassical era of the 18th and 19th centuries. The artwork contained in this first set of images is a mid-20th century direct lithography of an oil on canvas housed at the Victoria and Albert Museum in London.
Fishermen Taking Out
Their Boat, by George Morland (London, 1763-1804), depicts a blustery day
somewhere on an English coast, fishing nets strewn to the side with the day’s
catch, and a canine companion anticipating their success. The lithograph is mounted on board and coated
with a solvent-based product that provides a measure of protection from
moisture.
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| Still Life Fruits, Lithograph |
The artwork contained in the next set of images is a mid-20th century direct
lithography of an oil on canvas housed at Museo del Prado, Madrid Spain.
Still Life Fruits, by Luis Egidio Melendez, or Menendez (Spanish, Naples 1716-1780 Madrid), lusciously depicts cantaloupe and figs alongside wine and bread. The lithograph is mounted on board and coated with a solvent-based product that provides a measure of protection from moisture.
Still Life Fruits, by Luis Egidio Melendez, or Menendez (Spanish, Naples 1716-1780 Madrid), lusciously depicts cantaloupe and figs alongside wine and bread. The lithograph is mounted on board and coated with a solvent-based product that provides a measure of protection from moisture.
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| Detail of Still Life Fruits Trumeau. Colors used are River Rock, Acorn, Wedgwood Green, Antique Gold, Burnt Umber |
The mirrors are recycled pieces that may contain slight imperfections; this lends itself to the distressed nature of the trumeau’s history. The wood moldings and bolection are a combination of mixed wood types, and the finish is distressed and painted using gesso and acrylics to mimic the painted boiserie of the time. Master craftsman Dennis, Weaubleau, Missouri, collaborated with me on the development and creation of this design.
Thursday, April 5, 2012
Finding Water
Wednesday, November 16, 2011
Karen Taylor and Her Tri-C Legacy
Karen Taylor is a mentor of mine and to many. She created an unprecedented legacy at Cuyahoga Community College by developing an interior design program there 34 years ago. This was at a time when a number of universities were just beginning design degree programs! For a two-year program, it has graduated some highly talented designers and is respected by many in the field.
I was a student of Karen. I decided upon returning to school to get a degree in design that I really didn't need another bachelor's degree, so I transferred from a four-year program to Tri-C. It was an honor of mine in 2005 to fill in for her sabbatical year and then continue teaching adjunct beyond that.
I learned she had pretty big shoes to fill for one so petite (she often made light of herself as being vertically challenged). And, a representative from Knoll, who will remain anonymous, once told me that he remembered first meeting Karen nearly 20 years ago and said, What a little Hottie! Karen has a certain je ne sais quoi (I love that phrase)!
Karen's strength was in introducing her students to a myriad of resources that inspired us to grow and create. She gave us latitude and never looked over our shoulder and when she did, it was with a tough love that pushed us to continue exploring possibilities. She is a person of class, style, and she has the coolest shoes too!
Karen retired as director of the interior design program at Tri-C in Cleveland, Ohio, this past spring not long after I moved to Santa Fe. I miss her and the school, and yet, have the best memories of my times there. Just this past week I was identifying individuals during the course of my life that I see as a 'believing mirror' reflecting myself: Karen is on my list. Lucky me, that she came into my life. Thank you, Karen, for all you mean to me and to so many others as well.
I was a student of Karen. I decided upon returning to school to get a degree in design that I really didn't need another bachelor's degree, so I transferred from a four-year program to Tri-C. It was an honor of mine in 2005 to fill in for her sabbatical year and then continue teaching adjunct beyond that.
I learned she had pretty big shoes to fill for one so petite (she often made light of herself as being vertically challenged). And, a representative from Knoll, who will remain anonymous, once told me that he remembered first meeting Karen nearly 20 years ago and said, What a little Hottie! Karen has a certain je ne sais quoi (I love that phrase)!
Karen's strength was in introducing her students to a myriad of resources that inspired us to grow and create. She gave us latitude and never looked over our shoulder and when she did, it was with a tough love that pushed us to continue exploring possibilities. She is a person of class, style, and she has the coolest shoes too!
Karen retired as director of the interior design program at Tri-C in Cleveland, Ohio, this past spring not long after I moved to Santa Fe. I miss her and the school, and yet, have the best memories of my times there. Just this past week I was identifying individuals during the course of my life that I see as a 'believing mirror' reflecting myself: Karen is on my list. Lucky me, that she came into my life. Thank you, Karen, for all you mean to me and to so many others as well.
Sunday, November 13, 2011
The Artist's Way
I first discovered The Artist's Way in 2006. I happened to be surfing around the net when I clicked on a link to a site sponsored by L'Oreal cosmetics for empowering women. The link contained a thread wherein women could contribute info about what had changed their lives. One individual identified that The Artist's Way by Julie Cameron had changed her life. I went to the library the next day and found a copy. For the next 12 weeks I worked my way through the book and so began my foray into her key tool of the Morning Pages. I have filled dozens of notebooks over the past six years.
And, it changed my life. Imagine my surprise in September when I opened up a local publication and found that Julia Cameron herself would be giving The Artist's Way workshop near where I live in Santa Fe! We are about half-way into the 12 weeks, and I have further experienced insight and transformation. To give you a summary phrase of what comes from this magical unfolding, it would be learning to Let Go and Let God, an expression that many have quite likely heard at points in our lives. And, one of my favorite discoveries that I actually ignored so much of my life? Synchronicities and the meaning thereof.
Also, one other discovery: Movement and action. Right, wrong, or indifferent that our Doing may seem to be (and it does not require perfection either!), just Do It, take action and move! From Doing what you love, flow is created. Magic happens. We create. Thank you, Julia, for your guidance.
And, it changed my life. Imagine my surprise in September when I opened up a local publication and found that Julia Cameron herself would be giving The Artist's Way workshop near where I live in Santa Fe! We are about half-way into the 12 weeks, and I have further experienced insight and transformation. To give you a summary phrase of what comes from this magical unfolding, it would be learning to Let Go and Let God, an expression that many have quite likely heard at points in our lives. And, one of my favorite discoveries that I actually ignored so much of my life? Synchronicities and the meaning thereof.
Also, one other discovery: Movement and action. Right, wrong, or indifferent that our Doing may seem to be (and it does not require perfection either!), just Do It, take action and move! From Doing what you love, flow is created. Magic happens. We create. Thank you, Julia, for your guidance.
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